Controversy

Ackbar Abbas

Chen Danqing: Painting After Tiananmen
Public Culture 8(3): 409-440 (1996); DOI:10.1215/08992363-8-3-409 [PDF] [References]  

Andrew Apter

The Pan-African Nation: Oil-Money and the Spectacle of Culture in Nigeria
Public Culture 8(3): 441-466 (1996); DOI:10.1215/08992363-8-3-441 [PDF] [References]  

Veit Erlmann

The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s
Public Culture 8(3): 467-487 (1996); DOI:10.1215/08992363-8-3-467 [PDF] [References]  

C. J. W.-L. Wee

Staging the New Asia: Singapore's Dick Lee, Pop Music, and a Counter-Modernity
Public Culture 8(3): 489-510 (1996); DOI:10.1215/08992363-8-3-489 [PDF]  

Melissa D. Deem

From Bobbitt to SCUM: Re-memberment, Scatological Rhetorics, and Feminist Strategies in the Contemporary United States
Public Culture 8(3): 511-537 (1996); DOI:10.1215/08992363-8-3-511 [PDF] [References]  

Joe Bandy

Managing the Other of Nature: Sustainability, Spectacle, and Global Regimes of Capital in Ecotourism
Public Culture 8(3): 539-566 (1996); DOI:10.1215/08992363-8-3-539 [PDF] [References]  

Marc Manganaro

A Funeral in North Lebanon: On Narratives of Other-Cultural Encounters
Public Culture 8(3): 567-585 (1996); DOI:10.1215/08992363-8-3-567 [PDF]  

Recent Arrivals

Recent Arrivals
Public Culture 8(3): 587-597 (1996); DOI:10.1215/08992363-8-3-587 [PDF]  

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